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Papers On Shakespeare
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Malvolio and Misrule in Shakespeare’s “Twelfth Night”
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A 5 page paper analyzing the enigmatic figure of Malvolio in this Shakespearean play. The paper argues that Malvolio represents the figure of the Lord of Misrule in a traditional Twelfth Night celebration, and for this reason his humiliation is not to be taken seriously. Bibliography lists two sources.
Filename: KBmalvol.wps

Malvolio in William Shakespeare’s “Twelfth Night”
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A 5 page paper which examines the character’s dramatic function in Shakespeare’s play. Bibliography lists 5 sources.
Filename: TGmalvol.rtf

Marcus Brutus as the Quintessential Shakespearean Tragic Hero in 'Julius Caesar'
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This 5 page research paper examines how Marcus Brutus represents William Shakespeare's tragic hero, despite his ultimate act of betrayal, the murder his friend and mentor, Julius Caesar. Specifically considered are the elements of tragedy as defined by Shakespeare and how the character of Brutus exemplifies these characteristics. Bibliography lists 5 sources.
Filename: Brutus.rtf

Master-Slave Relationships In Shakespeare's 'Tempest'
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This 3 page report discusses several of the master-slave relationships of 'The Tempest.' Bibliography lists 5 sources.
Filename: Mastersl.wps

Mercutio’s Opinion of Romeo
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A 5 page creative essay which examines Mercutio’s deathbed account of his friend Romeo, describing his strengths, weaknesses, capacity for anger, sense of humor, his respect for conventional authority, and his sense of loyalty. No additional sources are used.
Filename: TGmerrom.rtf

Michael MacLiammor Plays Iago
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(5 pp) In the Orson Welles' 1952 film, Othello begins where it should end, with the funeral procession for Othello and Desdemona The horizontal Othello and Desdemona are glimpsed between the tall vertical spears of armored soldiers, other times in long shot. Then viewed from an overhead, probably a crane shot, suddenly there is a wretched man, a rope around his neck, being dragged through the crowd toward a heavy and primitve-looking cage. Bibliography lists 2 sources.
Filename: BBiagMLR.doc

Michael MacLiammor Plays Iago.
[ send me this paper ]
(5 pp) In the Orson Welles' 1952 film, Othello begins where it should end, with the funeral procession for Othello and Desdemona The horizontal Othello and Desdemona are glimpsed between the tall vertical spears of armored soldiers, other times in long shot. Then viewed from an overhead, probably a crane shot, suddenly there is a wretched man, a rope around his neck, being dragged through the crowd toward a cruel and savage-looking cage. Bibliography lists 2 sources.
Filename: BBiagoML.doc

Mimetic Theory and “Troilus and Cressida”
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This 5 page report discusses Shakespeare’s “Troilus and Cressida” in terms of mimetic theory. It should be understood that 'mimetic' means to imitate. But in terms of artistic expression . . . to imitate what? Ultimately, it is the notion of imitation within the context of an artistic reproduction, such as poetry, painting, literature, and/or drama. The mimetic theory is applicable during a study of Troilus and Cressida since the play presents a situation in which the tension between the ideal and the actual state of facts, between what could have been and what became truth, is turned on its proverbial end to what amounts to an ironic comedy or a comedic irony, regardless of its painful measure of bitterness. Bibliography lists 4 sources.
Filename: BWvets.rtf

Minor Characters in “Measure for Measure”
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A six page paper looking at Shakespeare’s play in terms of the way its minor characters -- both those in the main plot and those in the subplot -- support and develop the theme of the play. The paper concludes that in “Measure for Measure,” the ensemble structure allows the audience to discern the real protagonist of this play -- the morally-bankrupt society of Vienna itself. Bibliography lists 5 sources.
Filename: KBmeasur.wps

Miranda of Shakespeare's "The Tempest" & Ophelia of Shakespeare's "The Tragedy of Hamlet, Prince of Denmark/ Central to The Plays
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In 5 pages, the author discusses Miranda of Shakespeare's "The Tempest" and Ophelia of Shakespeare's "The Tragedy of Hamlet, Prince of Denmark." At first glance, both Miranda from Shakespeare's "The Tempest," and Ophelia from " The Tragedy of Hamlet, Prince of Denmark" appear to be peripheral and unsophisticated characters in plays that center on the plots and schemes of other characters. But closer evaluation shows that they both may in fact be read as central to the plays' plot and themes Bibliography lists 5 sources.
Filename: PCsmo.doc


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